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  <title>Filming Ayat-Ayat Cinta :</title>
  <subTitle>The Making of a Muslim Public Sphere in Indonesia</subTitle>
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 <name type="Personal Name" authority="">
  <namePart>Ahmad Nuril Huda</namePart>
  <role>
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  </role>
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  <publisher>bag. Serial Journal of Indonesia Islam</publisher>
  <dateIssued></dateIssued>
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  <languageTerm type="code">ind</languageTerm>
  <languageTerm type="text">Indonesia</languageTerm>
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  <extent>Sumber artikel:Jurnal. Halaman: 43-61</extent>
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 <note>This paper examines how the film  s public screening of the novel Ayat-ayat Cinta shapes an indonesian Muslim public sphere in which the notion of religious authority is re-created. It operates on three levels  first  the audiences  perception of the film as a da  wah and their reactions toward the film  s content  second  the rivalry between the novel writer and the film director on particular issues distancing the film from its novel version  and third  the public debates on the issue of polygamy revealed by the film. The paper finds out that the film Ayat-ayat Cinta has arguably invited muslim people to have their religious teaching in cinema. More importantly  the wide publication of the film on the internet and mass media has anabled all individuals to take part in the debates raised by the film. In these debates  participation is widely open to all  and argumentation is not based on superiority.</note>
 <subject authority="">
  <topic>AYAT-AYAT CINTA, PUBLIC SPHER, AND FRAGMENTED RELIGIOUS AUTHORITY.</topic>
 </subject>
 <classification>297.072 JOU 201</classification>
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  <physicalLocation>UPT Perpustakaan UM Koleksi Bahan Pustaka Perpustakaan UM</physicalLocation>
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