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  <title>Qiroah fii ssfssq mushthalahay al-thab'i wa al-shan'i fii al-naqd al-'araby al-qadiim</title>
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  <namePart>Muhammad Majid al-Dakeel</namePart>
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  <publisher>Bag. Serial Lingua</publisher>
  <dateIssued></dateIssued>
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  <languageTerm type="text">Indonesia</languageTerm>
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  <extent>Sumber artikel:Jurnal. Halaman: 205-215</extent>
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 <note>Seemingly  the classic Arab critism experienced terminology crisis. Besides the world-meaning balance  our critics seized upon dichotomization in the poetry theory  with many arguments were about two term of (tab  i) temper and (takaluf) pretense with no specific meaning being given to each. Our classic critics have been using multiple terms to suggest such dichotomy. For example. to indicate improved and cultured poetry  they have been using such terms as (takaluf  sana  a  mataskalaf  matakalif  sani  ). However for term temper our classic critics typically used numerous synonymous words which  in fact  indicated the same meaning. Such terms as temper  innate  genius  talent  disposition  wittiness  and intuition are all represent poetical faculty  or poetical energy of a poet. Despite diversified  such dichotomous criticism terms are synonymous  a poet  for instance  should already have the inspiration and poetical faculty in order to compose poetry. Only then and next to temper comes assuming (sana  a) and pretending (takaluf) by a poet in a effort to produce improved and reviewed poetry which reflect development of a community.</note>
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  <topic>1. MUSHTHALAHAH&#13;2. THAB'I&#13;3. SHAN'I&#13;4. NAQD</topic>
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 <classification>499.221 LIN 1-2</classification>
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  <physicalLocation>UPT Perpustakaan UM Koleksi Bahan Pustaka Perpustakaan UM</physicalLocation>
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