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  <title>Creativity in theatre:</title>
  <subTitle>theory and action in theatre/drama education / editors: Suzanne Burgoyne ... [et al.]</subTitle>
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  <publisher>Cham, Switzerland: Springer</publisher>
  <dateIssued>2018</dateIssued>
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 <note>Daftar Isi:1. The Actor s Real Role on the Production Team 2. Creative Acting  3. The Improv Paradigm  Three Principles that Spur Creativity in the Classroom 4. Dreamwork for Dramatic Writing  An Organic Approach to Magic and Theatricality  5. Performative Embodiment as Learning Catalyst  Exploring the Use of Drama/Theatre Practices in an Arts Integration Course for Non- Majors  6. Creativity  Intimate Publics and the Proxemics of Pop Up  Poetry Performance 7. Reforming Theatrical Education from Its Extrovert-Based Model  8. Teaching the Creative Process  An Essential and Portable Skill  9. Staging Our Selves  Towards a Theory of Relationality  Possibility  and Creative Youth Selfhood  10. A Vygotskian Argument for Teaching Drama in Secondary Schools  11. Creativity and the Cybernetics of Self  Drama  Embodied Creation and Feedback Processes  12. Psychodrama and Creativity in Education 13. Reconnecting Learning to Development Through Performance Ensembles  14. Enhancing Creativity with Neurofeedback in the Performing Arts  Actors  Musicians  Dancers  15. Creativity Theory and Action in Bioengineering Class  16. Assessing Creativity as a Student Learning Outcome in Theatre Education</note>
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  <topic>1. TEATER - PEMBELAJARAN&#13;
2. DRAMA - PEMBELAJARAN&#13;
3. THEATER - STUDY AND TEACHING</topic>
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 <classification>792.071 CRE</classification>
 <identifier type="isbn">9783319789279</identifier>
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